This Just In From Seattle Music History!!! LONDON -- Miles and Jimi. Jimi and Miles. Fans of the late trumpet and guitar masters have long known that Miles Davis and Jimi Hendrix had been making plans to record together in the year before Hendrix's sudden death in 1970. Less attention has been paid to the bass player they were trying to recruit: Paul McCartney, who was busy with another band at the time.
 |
| Mr. Miles Davis & Friends in Renton, Washington at The Greenwood Memorial Home |
This tantalizing detail about the super group that never was – jazz standout Tony Williams would have been on drums – is contained in an oft-overlooked telegram that Hendrix sent to McCartney at The Beatles' Apple Records in London on Oct. 21, 1969.
"We are recording and LP together this weekend in NewYork," it says, complete with typographical errors. "How about coming in to play bass stop call Alvan Douglas 212-5812212. Peace Jimi Hendrix Miles Davis Tony Williams."
The telegram has been part of the Hard Rock Cafe memorabilia collection since it was purchased at auction in 1995. Still it has only generated attention in recent months with the successful release of "People, Hell & Angels," expected to be the last CD of Hendrix's studio recordings.
"It's not something you hear about a lot," Hard Rock historian Jeff Nolan said of the telegram, now displayed at the restaurant in Prague. "Major Hendrix connoisseurs are aware of it. It would have been one of the most insane supergroups. These four cats certainly reinvented their instruments and the way they're perceived."
French promoter and Hendrix fanatic Yazid Manou, who has researched the telegram, says it offers a glimpse of what might have been.
"It's amazing because of the names of the people," he said. "Of course that didn't happen, but the telegram brings us something to dream about. This is a document, proof that they had an idea to do an album."
 |
| Jimi Hendrix's Last Stop On His E*art*H Tour 1970 |
Beatle aide Peter Brown replied on McCartney's behalf, telling Hendrix the following day that McCartney was on vacation and not expected back for another two weeks.
The invitation came at an extremely awkward moment for the Beatles' bassist. It was sent the same day a prominent New York City radio station gave wide exposure to a rumor that McCartney had died in a car crash and been replaced by a lookalike. The bizarre story, supposedly supported by hints on Beatles records and album covers, briefly gained worldwide credibility. Its dark nature apparently prompted the exasperated McCartney to retreat with his family to their farm in Scotland.
It also came at a time when the Beatles were falling apart due to business and artistic conflicts that likely would have been exacerbated by McCartney appearing on a record with Hendrix and Davis. McCartney was also still bound by a songwriting partnership with John Lennon that might have further complicated the release of any McCartney-Hendrix-Davis compositions.
And then there is the question of what the proposed group would have sounded like. Davis was moving away from his jazz roots toward a fusion-based sound. He said in his autobiography that by 1968 he was listening primarily to James Brown, Sly and the Family Stone and, particularly, Hendrix – musicians joined by a love of syncopated funk not found on Beatles tracks.
It is not clear either how McCartney's melodic, subtle bass playing would have made its presence felt in a band that included Hendrix' guitar and Davis' trumpet.
"At first, though, it sounds really weird and off the wall. But on second thought it makes perfect, Hendrix-type sense to chuck in someone who's a great musician but comes from a different tradition," said Hendrix biographer Charles Shaar Murray. "I regret this never actually took place. ... it would have been magnificent."
McCartney is the only one of the four musicians who is still alive. His spokesman, Stuart Bell, said the former Beatle is too busy on his world tour to comb his memory for his thoughts about a telegram sent more than four decades ago.
In his autobiography, Davis said he and Hendrix occasionally jammed together at his apartment in New York City and tried to get into the studio to record but were hampered by financial matters and by their busy schedules. Murray and others maintain that Davis wanted $50,000 up front to attend the session.
The Juilliard-trained trumpeter Davis described Hendrix, who learned his chops backing up the Isley Brothers and others, as a self-taught "natural musician" who could not read music but was able to pick up complicated pieces in the blink of an eye.
Davis says in the book that he and arranger Gil Evans were in Europe planning to record with Hendrix at the time of his death in London.
"What I didn't understand is why nobody told him not to mix alcohol and sleeping pills," Davis wrote.
Hendrix's death dashed their plans to record together, with or without McCartney. Eddie Kramer, the engineer who produced most of Hendrix's music, said there will always be speculation about what might have been.
.jpg)
.jpg)
The story of Jimi being sat up in the folding ambulance chair/stretcher came from Monika Dannemann whom Kathy Etchingham's 1992 investigation proved was lying about this mistreatment of Jimi. The reason Monika lied was because she needed to pass blame for Jimi's death onto the incompetency of others. You are quoting a story that was overturned by Etchingham when she got the statements of the ambulance attendants in 1990. Both men said there was no one at the flat and that Jimi was dead. They also said they did not sit Jimi up in the folding stretcher chair when they carried him away. Which, according to the evidence, would not have mattered anyway since Jimi was already dead. The attendants had nothing to do with Jimi's death.
Monika tried the blame-placing routine one too many times when she was quoted in Shapiro's 'Electric Gypsy' as saying Dr Bannister was negligent and contributed to Jimi's death by failing to perform a tracheostomy. When this was shown to Doctor Bannister he wrote a letter to author Shapiro complaining that a tracheostomy would have done Jimi no good because he had suctioned several bottles of wine from Jimi's lungs and stomach and that instead of choking on vomit Jimi Hendrix had been drowned in a large amount of wine. Monika's protesting too much had actually backfired on her and started the process that would eventually lead to her death.
The Jewish stuff you write is gratuitous nonsense since Jeffery was a British protestant and Bob Levine had no sympathies whatsoever towards the Viet Nam War or Jimi's feelings toward it. Bob was simply in it for the money like everyone else. Though his involvement in the money laundering was related to Jimi's murder in an indirect way. Tappy did not say that in his book so I don't know where you're coming from with that.
There is a record of who called the ambulance. The London Ambulance Service had the technology at the time to record incoming calls and their data. Levine is certainly not a source for that since he was in Jeffery's New York Hendrix office when Jimi was murdered. There's more to this than I can tell you right now, however I can tell you that Scotland Yard is aware that the call was made from the London Red Phone Box across the street, which is accurate to the attendants saying no one was at the flat when they arrived.
Jimi Hendrix was murdered by the American Government's Central Intelligence Agency under their COINTELPRO Program.